اروع مراجعة لغة عربىة ممتازة و منميزة للصف السادس الإبتدائى تيرم اول 2011 حصريا على ثانوية اون لاين

[دكتور محمود فتحي]

حمل بالضغط على اسم الموقع


ثانوية اون لاين

[أستاذه / أمنية وجدي]

[ATTACH=CON FIG]6061[/ATTACH]

[game]

gggggggggg ggggggoooo oooooooddd dddddddd

[مصريه منسيه]

شكرااااااا اااااااااا اا

[ellb]

luck

[ayman lamie]

hi merci

[ahmedsalahessa]

جزاكم الله كل خير

[عمر_علي]

About Shakespear ean Theater:

Before Shakespear e¹s time and during his boyhood, troupes of actors performed wherever they could * in halls, courts, courtyards , and any other open spaces available. However, in 1574, when Shakespear e was ten years old, the Common Council passed a law requiring plays and theaters in London to be licensed. In 1576, actor and future Lord Chamberlai n's Man, James Burbage, built the first permanent theater, called "The Theatre", outside London city walls. After this many more theaters were establishe d, including the Globe Theatre, which was where most of Shakespear e's plays premiered.

Elizabetha n theaters were generally built after the design of the original Theatre. Built of wood, these theaters comprised three tiers of seats in a circular shape, with a stage area on one side of the circle. The audience's seats and part of the stage were roofed, but much of the main stage and the area in front of the stage in the center of the circle were open to the elements. About 1,500 audience members could pay extra money to sit in the covered seating areas, while about 800 "groundlin gs" paid less money to stand in this open area before the stage. The stage itself was divided into three levels: a main stage area with doors at the rear and a curtained area in the back for "disco very scenes"; an upper, canopied area called "heave n" for balcony scenes; and an area under the stage called "hell, " accessed by a trap door in the stage. There were dressing rooms located behind the stage, but no curtain in the front of the stage, which meant that scenes had to flow into each other, and "dead bodies" had to be dragged off.

Performanc es took place during the day, using natural light from the open center of the theater. Since there could be no dramatic lighting and there was very little scenery or props, audiences relied on the actors' lines and stage directions to supply the time of day and year, the weather, location, and mood of the scenes. Shakespear e's plays masterfull y supply this informatio n . For example, in Hamlet the audience learns within the first twenty lines of dialogue where the scene takes place ("Have you had quiet guard?"), what time of day it is ("'Tis now strook twelf"), what the weather is like ("'Tis bitter cold"), and what mood the characters are in ("and I am sick at heart").

One important difference between plays written in Shakespear e's time and those written today is that Elizabetha n plays were published after their performanc es, sometimes even after their authors' deaths, and were in many ways a record of what happened on stage during these performanc es rather than directions for what should happen. Actors were allowed to suggest changes to scenes and dialogue and had much more freedom with their parts than actors today. Shakespear e's plays are no exception. In Hamlet, for instance, much of the plot revolves around the fact that Hamlet writes his own scene to be added to a play in order to ensnare his murderous father.

Shakespear e's plays were published in various forms and with a wide variety of accuracy during his time. The discrepanc ies between versions of his plays from one publicatio n to the next make it difficult for editors to put together authoritat ive editions of his works. Plays could be published in large anthologie s called Folios (the First Folio of Shakespear e's plays contains 36 plays) or smaller Quartos. Folios were so named because of the way their paper was folded in half to make chunks of two pages each which were sewn together to make a large volume. Quartos were smaller, cheaper books containing only one play. Their paper was folded twice, making four pages. In general, the First Folio is of better quality than the quartos. Therefore, plays that are printed in the First Folio are much easier for editors to compile.

Although Shakespear e's language and classical references seem archaic to some modern readers, they were commonplac e to his audiences. His viewers came from all classes, and his plays appealed to all kinds of sensibilit ies, from "highb row" accounts of kings and queens of old to the "lowbr ow" blundering s of clowns and servants. Even his most tragic plays include clown characters for comic relief and to comment on the events of the play. Audiences would have been familiar with his numerous references to classical mythology and literature , since these stories were staples of the Elizabetha n knowledge base. While Shakespear e¹s plays appealed to all levels of society and included familiar story lines and themes, they also expanded his audiences' vocabulari es. Many phrases and words that we use today, like "amazement ," "in my mind's eye," and "the milk of human kindness" were coined by Shakespear e. His plays contain a greater variety and number of words than almost any other work in the English language, showing that he was quick to innovate, had a huge vocabulary , and was interested in using new phrases and words

[محمد بربرى]

مجهود رائع ومشاركة جيدة

[ميوشه]

merci